The Shocking Way Francis Ford Coppola Brainwashed Martin Sheen While Filming Apocalypse Now

Highlights

  • Martin Sheen continued a mental and physical breakdown right through the chaotic manufacturing of Apocalypse Now, due to Francis Ford Coppola's unorthodox directorial ways.
  • Coppola pushed Sheen to the brink via brainwashing him and retaining him under the influence of alcohol throughout filming, resulting in a harrowing scene where Sheen hit a mirror and just about died from a middle attack.
  • Sheen's revel in on the film was devastating, leaving him gray-haired and in extensive care, but he ultimately accredited responsibility and found gratitude for the self-reflection it pressured upon him.

Francis Ford Coppola’s illustrious filmmaking profession has observed him helm many acclaimed productions, including the truly iconic, The Godfather. However, none of the tasks in the now 84-year-old’s repertoire confronted as many production pitfalls as the 1979 epic struggle masterpiece, Apocalypse Now.

From disastrous weather stipulations to real deceased bodies on set, tropical disease outbreaks, and massive value overruns, the movie’s production was really a nightmarish descent into chaos. Yet, it was once veteran actor Martin Sheen, given name Ramón Antonio Gerardo Estévez, who endured the complete brunt of the chaos. Here’s how, pushed to the brink by means of Coppola’s unorthodox directorial tactics, Sheen found himself experiencing a harrowing mental and physical breakdown that almost value him his life.

Martin Sheen Starred In Francis Ford Coppola’s Apocalypse Now

Released in 1979, Francis Ford Coppola's Apocalypse Now is extensively thought to be a cultural touchstone, thank you in no small section to its lead, Martin Sheen. Though Sheen delivers the performance of a life-time as Captain Benjamin Willard, he wasn’t precisely a top contender for the position. Like with every other large price range manufacturing at the time, the lead position was once first presented to heavy hitters like Al Pacino and Steve McQueen, who grew to become it down sooner than it went to taxi Driver celebrity Harvey Keitel.

However, two weeks into taking pictures, Coppola deemed Keitel's quintessential 'difficult man' regimen too intense for the part, and fired him. In got here Martin Sheen, who, dazzled by the prospect of starring in a Francis Ford Coppola film, threw himself into the role with unqualified determination.

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“Making that movie was once a trial, no longer simply bodily but emotionally,” the now 82-year-old would say of the film months after its fraught production. “I was staying on this hotel, and right outdoor was all this poverty. Pigs running around, kids without any teeth. God, the international we live in is so atypical.”

Did Francis Ford Coppola Really Brainwash Martin Sheen While Filming Apocalypse Now?

As if the ridiculous mishaps that kept derailing the film's production weren't bad enough, Martin Sheen had to endure the brunt of Francis Ford Coppola's eccentric imaginative and prescient for the movie. Then in the grips of a years-long struggle with alcoholism, Sheen was in a particularly fragile state, and nearly defenseless towards Coppola’s unorthodox and intense directorial means.

“Francis had this way of directing,” one staff member printed to RollingStone months after the film's debut. “He would tell Martin, ‘You’re evil. I would like all the evil, the violence, the hatred in you to return out.' Francis did a perilous and horrible thing. He assumed the function of a psychiatrist and did a type of brainwashing on a person who used to be much too delicate. He put Martin in a place and didn’t bring him back.”

However, it wasn’t till the iconic scene where Willard reports a whole psychological breakdown in front of a mirror, that Coppola’s bonkers imaginative and prescient for the personality actually veered off the rails. “Francis kept Martin drunk for 2 days sooner than that scene, kept him locked up,” a workforce member published To RollingStone. “Francis saved telling him terrible such things as how evil we all are, that we are all killers. It was devastating.”

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The harrowing ordeal that ensued is aptly captured in Eleanor Neil's working account of the movie's manufacturing. “[Martin Sheen] hit the reflect along with his fist. Maybe he didn’t mean to. Perhaps he overshot a judo stance," Eleanor wrote.

"His hand started to bleed. Francis said his impulse was to cut the scene and speak to the nurse, but Marty used to be doing the scene. He had gotten to the position where some part of him and Willard merged. Francis had a moment of now not wanting to be a vampire, sucking Marty’s blood for the digital camera, and no longer in need of to turn off the camera when Marty was Willard. He left it running.”

Did Martin Sheen Almost Die While Filming Apocalypse Now?

Before Sheen may just totally resolve, a hurricane devastated the sets, bringing production to an abrupt halt. However, the now 82-year-old’s mental and physical decline was once a ways from over, as upon returning to the Philippines, he suffered a near-fatal heart attack.

“I just about died,” he admitted to RollingStone. “I used to be by myself. Janet had gone to Manila for the weekend. I used to be below a large number of stress. I had terrible consuming conduct, and I was smoking so much,” he continued. “I had this critical pain in my inside elbow. Then my chest started to hurt, and I thought, ‘I’d higher hand over smoking.’ All the while the wind was once howling. The pain grew increasingly intense as the night went on.”

The film’s production exacted such an immense toll on the veteran actor that, excluding the center attack, he went utterly grey from pressure, and needed to undergo intense remedy. “I completely fell aside. My spirit was uncovered. I cried and cried. I grew to become completely gray — my eyes, my beard — all grey,” he revealed to RollingStone.

“I used to be in intensive care. Janet slept on the ground beside me. She known as a therapist in New York and I talked to her each day and the ones two women pulled me via. I knew I'd by no means come back till I permitted full and general duty for what had came about to me. No one put a gun to my head and compelled me to be there. I used to be there because I had a big ego and wanted to be in a Coppola film.”

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When filming after all recommenced, Sheen's point of view on his portrayal of Willard had shifted dramatically. "I realized that I'd gone too far,” he admitted to Yahoo Entertainment. “I had bit off more than I could chew, and I was choking on it. I've often said that if I had known going in that I'd have to endure what I did, I would've passed. But I have no regrets because it forced me to come to grips with parts of myself that I otherwise may never have embraced. I'm grateful to Francis for that."

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